Credit: La La Land; Lionsgate 2016. Damien Chazelle’s 2016 masterpiece, La La Land, changed that. Since its release, La La Land has changed the landscape for the movie musical by refreshing the genre through its original story, style, and songs. It paved the way for what musicals can and hopefully will be in the future.
Analysis. It is announced even before the film properly begins that the movie was filmed in CinemaScope, a format hardly used since its zenith in the 50s and 60s. This is a nod to the heyday of the Hollywood musical and an homage to its influence. The film opens on a clear blue sky, but we can hear cars beeping their horns, and the sound of
An American in Paris (1951) This 1951 artistic triumph for MGM’s famous Arthur Freed musicals unit – and its star, Gene Kelly – is the style of musical most clearly evoked by La La Land. It’s in the vibrancy and striking yellow/blue lead of the colour palette, the soft focus of the cinematography, the stylised production design – and
The La La Land script not only uses music and dance to enhance the story and characters, but it also uses these elements as a form of visual storytelling. From the opening traffic jam dance number to the dream-like “Epilogue,” the film uses song and dance to convey emotions, relationships, and character arcs in a way that is both
La La Land Quiz. 1 What is Sebastian doing when we first meet him? Honking his horn at Mia. Singing in his car. Dancing on the freeway. Playing and then re-playing music in his car. 2 What is Mia doing when we first meet her? Serving at a coffee shop. Singing in her car.
There is somewhat of a mix between major and minor keys. The tempo of the music and beats varies in different parts of the sequence. Like the camera speed, it goes from being fast and upbeat in parts to slow in others. Meanings. The music helps mix the sweetly naĂŻve, old- fashioned musical with unromantic contemporary realities.
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La La Land is a gorgeous, romantic, unabashedly sentimental musical centered on a couple of starry-eyed dreamers: Mia (Emma Stone) and Sebastian (Ryan Gosling), whose paths are all but
Chazelle is very clear about the influence of 1950s musicals on La La Land. So keen was he to pay homage to this era of movie making that the opening credits of La La Land announce that it's shot in CinemaScope. This credit first appears in black and white, and then morphs into Technicolor, in equal acknowledgement of our modern era.
Near the middle of Damien Chazelle’s recent movie musical, La La Land, Emma Stone’s character Mia wonders if her proposed one-woman show is too nostalgic. Her love interest, Ryan Gosling’s
The La La Land script not only uses music and dance to enhance the story and characters, but it also uses these elements as a form of visual storytelling. From the opening traffic jam dance number to the dream-like “Epilogue,” the film uses song and dance to convey emotions, relationships, and character arcs in a way that is both
Abstract. Singin’ in the rain as a turning point for a musical from a backstage musical to a narrative musical, its reputation is also unusual. As the representative of the secon¬¬¬¬¬d golden ages of film musical development, “narrative musical film”, is different from An American in Paris. the structure of the play also had the
la la land music analysis
